关于在短时间:内的某-🙂几个人的经过

《关于在短时间:内的某-🙂几个人的经过》讲述的是什么故事？

《关于在短时间:内的某-🙂几个人的经过》Voice 1 (male p🤭😉😄😗ro😚🙂😪f😏@essional )😁😌announcer t😘😂#ype) This neig😇🤐(hborhood(1) was 😆made for the🤪😁🤢  /wretche😉😚d 🤫😋dignity of t🤒^😀he petty bo:😔😋urgeoisie, for respe😁[cta🤪😷😚🤕ble occupations and in😛tell^😊ectual 🤪;tourism.😀😒😏 Th🤫,e sedentary*` popu:🤩la
😛 t,🤒😶😀!ion of the😋)😗 upper 😁🤫😔😑floors was shelter`#😁 e# 😛d 🤢
from the influe😍nces of the stre++*😂😝e😛🤑t.😜😙😄😛 😚 🤔😬Thi😒😑🤒$s nei🤪;#ghborhood🤫 has r🤗😁😶ema🤩#ined 😘🤭`t-😜he sa😏🤣😘me. 😀😇(😜It was the st$🙃😂ran🤑;;😇🤥ge setting of our😷* story,😉🤤 whe😌=😘r😁😜e😝🤨😪 a sy*🤫🤕stematic qu🤣🤔!es🤫🤑😔😃t😁🤥ioning of all t🙃?😷,😄he +diver😂+`sion🙂s an@😍d works of a societ😅)😏@y, a total critiq:#ue 🤒🤗of its idea of`🤣_😷 h🤤@😋a😅p🙄😚*#pin🙂ess🤨😊😶:, was expr @(e😋😄sse@d 😄🤩in🤗🤫# acts.%　　These🙂, people also sc😒🤨 😝?or🙄🤑ned s[,😛.ubj😄😙ective prof!undity😅😴. They were in🤩teres😷😋(😅🥰ted😝)😶😉 😘🤐in nothing]😀😋[😋 but an a😘🙃😜,d:$equate and concrete 😇exp🥰🤣r
😁*😷ess😄😂ion of .😷😀themselves.　　Voice 2 (Debord, mon/* otone😂😝) Huma🤑😙n beings $🤭are n😃😒ot ?,f😐😷😛u😇😉lly consci:😏#ous of th😅 eir 😂-😋😌real life 🤥🤗+^!- usu\🤔:ally groping in the d🙄🤩*🤮ark; overwhelme😶😶🤑d by the 🤩% co😔$😪n😊#🤩😬se😆🙃🤪qu🤪🤗😃🤗😙ence😏🤕😐🤐s of 🤭their a😐😜 c🙂t😒 🥰s; at every m`=!om_$ent groups and 🤑
.indivi]_duals find themselves confronted w^😶 %,ith*😷^🤢 results they ha`🙃😚ve🤕🙄🤕 not w;-😄🤒ish😷😪😁 e(🥰@.d😅.　　Voi😆😚:#c$-🙂🤕😃e 1 They sa/🤣😪=id that oblivion was😗
their rulin😴^g passion. They 🤭wanted😂🤒😄🤥! to😚+ 😄r$😑,e😙😆😛🙄invent everyt🤢🙄🤭hin😏g each day; to becom],😚e 🤗😑$th🤥)😃e masters😇😶 and😪😍😋😁😘 possess😚🙂🙄🤮ors of thei😒.r [+😷own lives.　🙂🤔　Just as😚  one does 😗not judge ]) ,a🤭 🙂man ac🤫-$[co🥰/🤕rding to the 🤐🤮🤗c😒😚oncep😏=😴tion he has of😴🤕@😴 himsel😉f, one ca😁🤩nnot judge s😄[uch😉😛🤐 periods of t@😂😘🤔ransition 😂😴😙_ac😷#🤑?cording to🤢😚🤥
th😙![eir own cons
😅ci(*ousness🤤; on t^h\😙😌e😌: cont\😶😏😄😍rary, 😁🤒one must exp 🥰l😙🤩😔ain the😚😌🤑 consciousness thr🤒😍😛ough ]🤑😛 the_.😚 contradic😂😂😴t🤢^🤥ions o
)😝f materia😄🤥😘l😊-😅🤭 life, th,😆rough the conflict 😚😅b`🙃🤢🙂etween?🤮😏 social 😴😅😃conditions and the😝🤣🤤 f[😜😬orces of🤭[ soci🙃😄😅al _produ😬,😃[🤫ction.　　The progress achi😁😑😒eved ?+!in the dom[😶🤩,😑ination o😪🙂f [;😀natu🤣?🤑🤣😛re was 😅no😆 t yet `^😛🤪matched by😅😛 a corresp😬@ond😴ing liberation of e😔🤨ve🤐^🤔ryday 🤭😐😛li%🤔fe. Yo🤑😋 u 😒th passe🤩😅🙃d away😚🙂😀😌 +[among t😙😆he variou😒s control🤭😛-s of res😍\!i?=#g😶)nation.　　Our 🤐
🤣`/ca😔
mera has 🤥😛capt.😂😷u😗re😇/d for you -🙄🤔,🤪a few#: aspe😪#cts of 😍😘a provisional micro😆]society.　　T😐🤗,he 🤨😔knowledge of emp🤨🤢-😁irical fact😙s remain^s ab😝🙃😄🤩stract and su😔[😬perficial as long as😋😀🤗 😗😊
it is not concr%#😜etized b,😗]y 😗(🤐its inte🤒)gr -atio )n int\*\[o the😐[ whole ” which al🤕one 🤨 )perm😝its 🙃🙄the supersession of pa😝😁🤒😷😌rtial and abstract prob😄🤭l😗😍.ems so as t😍🤪+o a🤤rri😊=ve at the😍😆i😋😴r😅][ c🙃🤢=onc😊🤑\😍rete ess🙂🙄=en😚🤭ce, a🥰:n😍😙\d implicit😬😊😉😛ly at their😅🤒 m🤤e😑🤤🤕aning.🤤😉🤒😝　　This(, group w@😙as o-!#n t🤥😀he mar🥰😋gins 😌😐$😁of the e,🙂😪conomy. I:%😄t😬😚😙 tended t😜😂owa🤤🤫*]rd` 🙄#😪a rol😍🤥e 😇😛 of🥰😶😅 pure consumption😑😚🤤🤪, an😝:d f🤕😚🤪irs😘[t of -🤒all the f😛$ree con🤒🤑
sum🤪ption😬😐 of 🥰its 🤐🤪%/time. It😘😴 thus foun😇😉😉d its;
el😪?🥰😛f. directly engaged in qua😝`😙🤐l-🤤itative variation😂=s of everyday lif🤮😬 e but de🤨!pr🤫😐ived of any means t@🙂o 🤭`i😄ntervene in the🤮😑m.　　The 😒$#😄gr!😪oup😋😉 ranged over a: ver😜`y small area. T`🤫😒h🤤e same 😋🤤time😝😘s b🙂 🤢rough🤣t them back to th😗😃😃e ] +😙🤨same places😐😝*`. No🤕😜 on🤫_.😐e 😝😇w_ent to bed early. Di😶@😗scussion on 🥰(😴the? meaning of all 😜😒=this cont🤨 🤫🤮inued...　😅😌🤐😊　^/:🥰;Voice 2 Our li😚fe 😪 is😉 a journ🤗😘ey ” In 😒🤩t😴😛
he wi😑/nte`r and the nigh😂[t. ” We se[e🤮*k 🤩😗our pass_ 😝age.😷!.#😇.�　　Voi😊😊ce🤥🤗 1 T,🤨😁😒he abandoned 🤕🤩=li, 😝terature nev)🙄erth🤩🤫=eless exerte😚d a de🤒layi🤐n🙂[g acti[😌on on n😂🤔ew 🤮aff😀😘*🤫e😂`ctive formu🤩 😘🤮latio!ns.　　Voice 2 T🤑^here😂/ was the fat🤕 🤮igue 😑 @😅and 😚the c🤔😛😝old🤕🤨 of t%😃😉he morning🤮 ]$ in this m^%^😐uc🤤😶🤣 h-traver`🤐😴s😅`😔ed 🤗/😄😂labyrinth, like😊,^ an *😴eni🤫 gma tha😋😬🤫t we😐+ `🤕😀🤢h😊?=#ad 🤗🤣?to resolve. It wa😐_s a looking-gla*😑ss reality through whi😛
ch 🤤,we ha🤕🙄🤪d to di🥰(+sc🙂over the potential r😀
😛🤑ichness 😐😁😜[of reality.　　On the 😃 🙃🤫bank of the (🤩river evening began😏 once again😇😆 ; and c😴🤨aresses; and the importance o🤮😇/f a wo$😌
🤩rld witho(🤔😋@ut 😊😷$/importance. Just as the 🤨🤥+😉🤫eyes h-😘-ave a blurred vi🤣!+sion of 😷😋😍😑many thing😝😊s and c😂/%#,an see only one cl😚🤩🙂earl🥰 🤨 y, so the will can strive 😄😛#
o🤩🙃 nly incompl😆et😑😇🤔el🙄🤥🙂😷y towa😝🤨🤔rd^🤩 :😔🙃diverse objects 😃🥰and can c;🤩#_omple!🙃tely🤤😑 l😴/ove only o😇ne😅!😉 at a time.　　V.😪oice_😃 3 (young girl) No one c😔🤭😅ounted on🤑=🙄@ the future. It wou🤤🤫😪🤥ld never be🤪 😷 poss🤑.😑ible t🙃%😘*o be toget🤥😑her lat=/🙃😪er, or anywh😗.😋%ere e🤮$:\lse. There 🥰🤨=wou🤑😜😚(l🤭🤒😀😄d nev🤒er🤮 😬be a🤨🤭😇 great😪😋😛😁er 😴😀😃😊f😅🤑:🤩reedom.　　Voice🤩 1 The refus😑🤪al o🙄.*f tim😐
🤔e =😛!and o_]f gro%😅😔.wi🙃ng 🙄?(old a🤑%!😷😷utom🙄`atic😗😂😒_ally limited]^😌 enco🤕unters /😬*in this 😴🤕na#;🙃🤥🙂rro)🤕w, cont%;😷ingent zone^😂😴, w😪 he😴🤔re what w😜🤮as lacking was felt $😆as🤫😜😶 irreparable.?😪 The 🤔😆=🤪😍extreme pre🤣🙄ca 🤪🤔🙃riou-😶sness 😊🤨of the🤐😴🤑 *😁me-🙄ans o
😃😘f gettin^😪@g by wi😄🤩thout working was at t😍😒;he roo🤔😴😅😪t)🤪 of th🤫is i🤗😪🤫🤑mpatien🤢]😂ce whic😄h mad😘😁e e🤣🙃🙂xce🤒🤕🤣😔?s😉😉😝😚ses necess(@🤩ary and breaks;. defi🤥\😇nitive.　　Voice 2 One never rea😷[ll😷y con#😄😁tests a😐🤣n;😴 organ$😴)🙃ization of exis🤔😪tence witho+😊😷ut contestin[😋😬g all🙄😅😴% of that organizatio😒😏🤤n);😷\'s;😅 f😍o😛]rms🤭\ of language.　　🤔Voice 1 Wh🤩 😔😂en f😷*reed😗😅🤢😅om is practi 😇)😁ced in a `🤪😪)🤕closed \$c@😪`ircle,=🙃 i$😂t fa😘\😔🤗]des in🙃🥰😀to a dream, becomes a mere representati.😐*o🤤n of itself. The
😍.😃a😇#mbiance 🙃
😴of😌? play is by .nat^🤢🙃_u 😗,re unstable. At an(\🤤y  mo🤥🤣ment ord😍🤤😆
🤩in,ary life😬;🤩� can prevail once again. The geog😆😛😷raphical 🤪🤔/l🤪imitation of pl🤮🤫🤪ay 😝😌🤪i🤒😴s _🤥🤥(even 😴)🤭m😘😒(ore striki]😏ng t😀
han its😬🥰[😗$ tempor😌😙😪al limitat😷🤕:ion. Any🤨 g😏😅@🤥ame ta🤗🤑🙄😙😴kes p🤐😍%$lace within the conto+😜😏🤮ur😌+s of it🤕😁s spatial 😏dom🤮🤕*ain. Around🤐🤐! 😔)t😴*,😁he neighbo=@[😋r🤫😏hood, a🤪😬/round its🤩😍 😘!/fleeti😙ng a🤤!😘😃nd 😶?🤒threa)🤪😜🤪tened immo🤩bility🤤, stretched a h😶:
alf🤢😆-known city whe🤐re pe🙂ople🤢🙂😆 met o😑🤐nly by chan#ce, losing their w😆😌ay forever.　　The girls who ?😘🤔🤕found t🤗😬heir way the,😍`re, b🤭+ecause 😂they were.%_;😊 l😛🙄egall(:🤨y😅🤫 under the 🤩#🤮😑c😉😜ont_rol 😛😷😍🤕of $their fami/lies un%til the ag😍😬😄e of eighteen, were o😜fte😍n/@🤭🤒 rec aptured by th 🤑😐e defenders of tha🙄😆t detestable institut😘😝ion😅🤤.🙄% They😶🤨%😗 🤩?were gen/🤥[%er😛😊all😐😃/y con😝fi🤑 ned und😴😇_,🤨er😆😀🤫🤢 the guard `😇o🤔🤤f tho😴🤑s._🙂e cr;🙄_eatures😷🤗 w🤐:🤢😌ho amo=😘🤕ng a(ll the bad produc😶+😇t.(😪s🙄
*of a bad societ🤣😝🤤y ar😐🤭e ;🤭th😚[ e most🤨$ ugly and re😴🤔😅^pugnant😐🤒 nuns.　　W🤤😏😁%hat 🤪😔usually mak😔.es😋 do?_🤩cumentaries s*@-o 🤩🙄easy t🤪 o 😐=un🤨`ders 🤥🤥[tand is 😶🤒the arbit🤗_:rar😚🤭y limi?=,]tat🤩😙#ion of 🤒$🤗th😜e🤐😏@ir 😝😒)🤭sub😐ject m%😇a🤢tter. They describe the atomizatio😝\n of social f*😪😷+unc😒🤕tio🥰🥰ns .🤮(a#😁@nd the is😗😚`ola.`-\🤗tion o😷😑😒🙂f their😅🤤 🙂🤮🤪products. One can, in contra🤔😐+s😘😔t=-🤕$, 😚😒🤤en🙃%vi🤐sage the entire comp lex 🤥it#😃y of a 😊🙃🤢moment w😇-😜🙃 hich is not reso🤒lved in😀\:to *🤗a work, a m,[oment whose mo🙂🤩 😗vement 🤪\indis🤥🤣solubly contains `facts 🤩😌and val🤨🤨u(😷😅😷 es and whose meani😔😜😄ng 😅/does not yet 🤣😒😬appea=😃\r. The 😝🤕🤕s😗u*😘bj😇ect matt🤣😅]er of the,!😏 documentary would then be 🤔😊😉t ^hi😜=]😴s 😍😒😊😏🤢confused+😜🤔 tot😔😪ality.　😏( 　^😆😅😙Voic🤗😇e 2 T].🤣he era had arriv😶:ed😜🤢] 😌. at a😷😆 leve(😊l of knowledg😊*e an🤢😪🤒d techni🙃😚[$?cal mea😌😘 ns t?-*hat made😁😅🤪😪😐 pos😀🤢sib, le, and i😆🤔😏ncr🤐\easingly/ n😘😍e🤭,c]🤣`]essary, a.😂 d🙂[ir-/😷ect 🤨con😂😆-st😒🙄😇$ruction of all aspects of a libera;🤣t🤑[ed🤒🤐_ affec😪😋🤮t$ ive and practica🤗🤐l existence
😑. [🤥🤕🤐Th😗😁😃e🤭[😪 appearance of😐 these s?uperior me😗😐😚an😒.🙄%s of 😇🤭!a\😀😴😋😍ct😛
ion, 🤩😷s🤫🙃😀🤫till 😝😙unused bec🤑ause of!😊 the dela?😙🤫y😍 s in the😬🤤 proje[ct of liquid😍😏
a tin🤮g 😊😚:the🤑= commodity economy, had a!$😬lre🤪😋😉ady condemned aesthet
ic ac😃😝😉🙂tivity, w😄😚^hose😜😃 a?😅🤤\mbi😗🤩t 😶🥰!i🤗🙂🤐-ons and p😗🤮owers were both ou😇🙂😘🤩🙄t😙🥰d_!a😐🤫t 😙ed. 😔😏The decay of art a#😜 nd of all the v?😋alues of former mor😋%🤩😅es 😋🤢had for🤫med ,😍our sociological ba😌ckgrou😗😶😑🤤🥰nd.😌🤑? Th[😍e ruling🤫🤨😏 class's monopoly over the instrumen🤤^😇😍🤫ts we needed 😌😚🤔to con^😛(trol in o🙃rde🤭r to r🤫😄ealize the😇) collective ? art 🤑of our😚#😴 time h🙃+ad#😷🙄😛 😴😔😔_excluded us from a +🤣cultur\a/🤨🤑l pr\)😂$oduction o😑🤒😙fficially devote🤗d to illustrating😏🤥😆 😏- a^😜😪🥰nd repeating 😛🤕😪🙃the pa😷🙃st. An art /film on t🤕*😶his gener🤗😬🤥🤔a)🤤🤗tion can on😒l😗🤕🤕🥰y be a film on i[ts ab
!sen:😴!ce of real crea+😃😙🤢 tions.😪😘?　　E🙂🤣ver:y($😛🤪one -🤪🙃😪😒u😒😂n]thinkingly foll😷-owe\😀d the paths 😛 [l😴earne🥰😪d once and=@😙 for all,?🤑 to 😀 their *work and their ho😶🤥me, to t^😘🤭😴heir predicta😬😗ble futu😀?re. For them 🤥😃dut y had already 😝!beco😬🤔me a hab^?it, and habit 🤔🤪?🤢a😴+* ,du😊😒🥰t🤐y. They di🤒 d n😆😆😏ot see the😒😄😙😘 de🤒,🤫ficien🤭🤣c;🤭]y of 😆😷their😉😀 city. (🙂!;They tho🤐🤕%ught the deficienc
🙃🤪y o 🤪 f their life #was n😷_😛 atural. We wanted to %😀/break 😂😇🤫😋out of thi😷😙😀\😛s c$
🤩on🤭ditionin🤨😋g, in 😂qu😆😀🤔😅est of another use 🤢🤭(🤐of the 🤪🤭]😋urba🤥n landscap;!😂😜e, in quest of new $😶 pas😊,😂😙sions. The atmosph🤫.er=)e ]of a😃^_ few pl[,🤑 aces gave us intim😆atio🤪😚😃n🙃🤔😴🤒🤥s of the😘 future powers o😃,/🤣^f an architecture it would be nec%essary😬 to c😄😝😅reate😁 😔😬 😃😶to be😑🤑_ the suppo)😛rt🤩🤐 and😶_ fr;🤒amewo🤩😶😒🤣😋rk for less mediocre ga/😋;m😆%😀e🤭😪😒s. We could exp😙🤨😐ect nothin🤪😙😪,g of🤔\🤗 🥰an🥰ything we had n?😄😪ot😛😶🤩😪 ou😋😚🤪rselves altered. The😚😆🤔 ur🤕🤥ban envir😇🤗😉onm🤨e)nt pr*🤕[ocl😶😆a😙😛imed😷_ the orders and 😊😶tastes of the🙄 ruling socie😙😉😙ty just =😜[🤫;as viol].ently as th😏!e news😌😘🤥pape😛🤨rs.#*😊 🤩😚%I:? t 😴 i@😆s😌 m__^😑😂a_-%n who make😘😑😘s/🤤🤣 the un#🤐it🤔
?😏y of the% world, bu+😗t🤔😇\🤒🤣 man h😛😊a🤮😒🙃😜 s ext🤪[🤗(en🤭]🤑de🙄]d😌🤪🤤 himself everywhere. Peopl🤭🤨e can s😉😷-`ee #(not🤪`hing aroun😅🤪d th😀**e^😝😷m that😐 i😗=.s no😶😐t their own$😑 ima.? ge😝🤮🤤#; everythi_ng speaks to ]😋them of themsel \🙂+ves. 😄😝Their😀! (-😗🤢very lands😉🙃 ca🤨😃+😇pe is alive. There were obstacles ev😁🤫😙erywher😙🤣😆e. T😌:)here\ +😇😆_?w🤒`😔🤑as a coh🤒e_sio🤤😇)n in t\😁he o!.🤪bstacl🤨es😀 :🤮 of all types. They mai\🤩😘😏ntained the 🤩🤣co😌her😁]`en🤮^😍?t reig😚😁😴🤮n o😬#😛😄f pover🥰😃ty. Everyth=ing being connect😆ed, it- [w😀[as ne🙄🤭;cessa🙄😇🤨ry to😝🙄 cha+😅n😜).ge ever#🤢yt🤑😚🤩🤤h😗😙ing 😜🤗 by a
😏 unitary 😛🙄, )[.struggle,,🤫[\ or n😑😇ot🤥😴hing. I😝😶t ^was necessary t🤔😪:o link up wi😋🤥🤒😋th the m🤗🤣asses, but 😔🤪\we we😉🤗😀🤮r😁e🤤😉😬 surr[$🤐o😀
😇unded# 🤑🙃by sle🤭ep.　　Voice 3 Th?🤥😐e di😉🤫😚%=ct\😶🤐at😗or🤑🤨)🤥sh😊🙂 ip of the pr;oletaria🤪🤨t-:🤤 is a😋😚😛 d😄😔😶[(esperate struggle😁, bloody %.🤗-and bloodless, vi?😂-#olent and pea😚😑cefu,🤐😅l, mi]😒litary#,_ and econ😁😷omic, edu😝🤔c🤔ational a😒😃nd a🤭🤭🤮😁dmi😔😛nist😆😗?:r *ative, agai😀🙄,nst🤣😐# 😬🤑😌the 😬(f!#orce😀s 🤮😅!)-and t.😉😋rad😂itio🤭
🙂ns of the old world].\😏🤩　　Voice 1 In this coun😔#/try it is o😴!nce again the m🤤[🤔😊en 😊^😊
of order😋 who have rebelled. T😔/😬😊h`😶ey h😆😷ave reinfor🤨ced their😝 power. T😬🤥 🙄he😔😍😙y🤕 ha #ve been able t🤮😊 🤑😏o aggravat😇]🤔e the😬` grote😃😪s@queness of 😉😍😅the rul😆🤑ing conditions ac^😝😄\^co:😋😝=😙r😀d(🤢
ing to their \🤭😛😜will. They have em😉🤭be🤩😛🤣llished their (^😑😬s 🤐ystem with the funereal c🤒😆e😪 remoni😛😘es 😏 of t🤕😌😙=]h😶_🤔e past.　　Voice 2 Years,😗🤩🙃 like%]] a single inst😇😆🤤ant prolong🤥_ed to 🤤😝/th😜is😒 poi🤢🤫😝nt, co😬🙂me to an e🤒😊 nd.　🙃😊😄　V😑🤐%oice😔`🤭 1 What was `😆=🤒😂directly !😗l%😴😪🤫?ived🤑[ reappears fr,🤒[ozen 🤗🤨)\in the distance, fit i😇🤥(n=😉*to th(🙃e tastes and i🤕ll)usions o🤩🙃f a\!n e#,ra, carried aw🤔)ay w🤥:😑ith 🤮😁-it..　　Voic@#e 2@😪😒😝 ?😋🤨😍The appeara😷nce ?🤤of events😇😃) that we h😬🤥ave n😷🥰ot🤣🤨🤢 😛 made,🙄😝🤮🥰 tha🤔`-=`t oth😉😏 ers 🤢😀have made a🤩🤔[g😄`🤪😊%ainst us, now#)😌 o😑🙂;😝😊bliges us🙃😚🥰$ to 😍 be a😗😛w😉🤕are of the🙂 😒?_ passage o#:😝f ti🤩😀🤢😘🤣me, %(😇its results, th😂😊🙄🙂e tra🤕nsf)🤫o^\😍rmation😘😗 o🤫😄f o😄:ur]🤑😙🤕 o😋🤔wn de😘😷si?🤮r😶🤐🤣es😌😘 into +🥰even🤮😍ts. _)😅W😒😷#
hat (🤪😐😝diffe^😀re😉😋😐nt%🙄 ia^(tes😚🤢🤐 the p😐[as\t from t$_😛he present_🤫🤨🤩 is precisely its out-of-🤩*😛reach ob😋jectivity; th🤤😁ere is no more sho🤗😅?u^🤗l/d-be; be🤪 🙂ing is!== s😶$😜/\o 😶😁cons🤩😜😴umed😀[ t🤥#ha+t)🤫😘- it has ceased to ex^ist. The details😙[😜🤑 ar 😁😬🤑e😴😪😋😒 already 😛`🤐😶😁l😜os😃*😋t in the d 🤢😘=u😐s😶😂😴😄t😉🙂 of 😆]😝time.🤔🤣😇😄 Who w😜(#as (😌afrai😗d of l🤥😜😚if😆;🤤e, afraid o🤗😃🙄f the nig🤢🤪ht, afraid of bei😃😝n😪g taken,-😌🙂🤨😄 -(;a-=😏😛fra😴%😘id of being kept　　/🤪Voic🤑/🤗😷🤥e 3 What sho$^uld be a-😅🤫bolishe😀]🤮🙃d c😅😀🤨ontinue,.!s,🤕😪 an[😌d we c😌🤤(🤥`ontinue to wea$😝r away wit!😪h it. We are engulfed. We a😐😴re separat+/😔ed. The@😐%😗 year😅😴🥰😃😑s pass an🤨🤣🤫d🤩[ we haven't cha)ng😅ed an🤑🤣😔ything.　　V😷😅🤥oice 😏*2 Once😶_😔🤥 a🤥/gain m🥰orn😘😛in😘🤢!😪😝g in the sam🙃😑 e str😑=🤪eets. Once again_@(😀 the fatigue 🤢🤣😗😊of 🤗😂so many si🤮[🤣milarly passed n🤩@🙂i(ghts. I😔,-😚t is a walk 🙂that😑😙🤣 has lasted$^ a lo🤨😗😘ng time.　　:(😀Voice 😴$,1 R😚😃e😋😋ally hard🤭😊🤨 to d😅😶rink more.🤑😁　　Voice 2? O😆🤒f cours*😷😷e one mi😐%ght make a fi😆🙂.lm of ]i😄😊t.😍😶🤨^ But% 😗🤭🤔😁🤪e 🤤ven if such a 😬$f😐🙃ilm succ]😗e😊eds in being as fu^ ndamentally. disconnecte!\d and 🤫😐+u🤗-@🤔😷nsa🤗😙`tisfying as 🤐😁 the reali?🤢😴😏ty it🤫🙃@🤒 deals; 😐 w🤮🙄i😀]th, it w🤥).ill🤭😒😴(🤒 nev😊`er 🤪😪🤪be ^_😑more than a:; re-creation ” poor and 🤢😝😬(+fa=[lse like th😒😏😀😬is botche😆😗😬d tr`%av.🤐🤤elin;🙃😌$g shot.　　Voice 3 T😷😏%h)😃*er😶🤨e a😬🤪😜re@😋 😍😑🤔now peop/😀🤤le wh🤥😷^🤣o pride 🤢😷t🤒😌😀;🙄he😅-mse😉🙂l$🤭😀*ve+😑s on being😃🤨 au🤔[thors 😷😬🥰/of films😅😆🤗, 😶😙😚! as `others wer _e autho:😇`🤑rs of novels. They are even😗😔🤫 more ba🤮+🤤ckw😔$ard tha[ )😏n t😉_🤢he no(😛velists because they are 😀unaw😪are 🙄?🤫of the decomposition and ex😚😉😗[ haustion of individual e😅\🤮xpressio?😁😌n [🤮-🤭in 😃our /:time,#😌 ig]norant😇)😍😄% of 🤫🤮
the end of the🙄+ 😙😁ar,🤮ts of pa🤪😒🤒ssivity. T🤗hey 🤐😋🙂are pr🤮aised😗😅 for thei🤑r si😍😴nce`🤩ri🤕@😊 😆ty 😂😑🤣😊since _🙄😉😉🤭they dr😃🤔🙄😛[a😉matize,😬)🤣 with more perso🤭😏nal*😑 dep🤫th%😉*, t😊🤐😴he conventions of wh😛/(😬ich their 😘lif`( e )😛🙃😜consist😍😃*s. 🤣😛#The[]#re is talk  of🥰^ t😗🤒🤥he liberation of the😑🙃  😬cinem🤐🤤a. 🙂 But what does!` it matte🤢@🤒r 🤨🙄🤣:to us if +😂one more art is _🙂😚lib$😒)🤒e😛😝=🤔rat😙😑=ed through whic 😙😁h Tom, Dick or Harry can 🤪
🙄joyously ex😅p😏😑ress th😋eir s🤣🤭la🤐\*vish s-😘entiments The😒🤐😙- only i🙂🤑nteresti😅🤭😝n
g ventu😔 re 😬😔 is the li😆😚ber🤮🤥ation o🤑;😇f😗🤤( ever🥰)yday life, not on.😋🙃ly in t😇`he p-er😜😗spectives o😚f history but for us and rig😇😔#🤥ht away🤣😙🤑. This entail $🙄s t🤔🤒^he withering away🤒% of ali😊🥰$e_😗?na🙄😔?te[🤗d f😀@orm😴s of communica😌😷=ti🤗😬o🤩🤣=n. The c🙄😆in🤥🤪🤩😀e😅/🙃ma🤣#, t🤩🤨oo, has t🤕(😙😊o be des😘😒t🤮🙂roy😆 ed😷🤑.　　Voic@e 2 In 😂!the fi🤤😶na😜😐l analysis, sta😪😔🤒😒🤗rs ar😃?😄e crea`🙂😪ted by the need;😇[ w🤤^e have for the+)🤭m, and 🤤n😷😷🤑o😬t by thei!r 😙😑😜]😷talen.=t or 😇🤗🤑🤭l😍/!ac 😬😘k of t)😄alent or even 😆-🤮😘😚by 😃🤮🤑the film ind😆ust,🤔`ry or ad😜vertising. Miserabl^😒🤣-e )%*ne;ed,🤫🤩! dismal, an:🤐 on😬😙y😉mo,🤥😃us 🤐🤑life  😀t😬😆😌hat would l😛🤒ike to ex😅 🤩pand itse.\lf to 😚the- dimensions of cinema 🤗😌😀\li😇*fe🤗\🤮. The i$🤐m😆😄aginar😆+🤥😂y li😙😚fe on(😁 the s:cree^🤒🤫n is the 😘!😴🙄product of thi😬?s real n 🤨eed.)😃 The🤣 star is the p😔🤭😊rojection of this need.　　T#😋he ima)😙😄😝ges of th🤩[😉😉(e )😙😋?adve^😷/rtisem😃@🤕.ents dur😇(ing🤤😪-😂😙 the int🤣erm🤥🙄🤕ission=@s +are/( more *+suited🤨😉 🤫]🤣😋t!😌😘:😄han 😶+a`😇😀🤤ny 🤔🤨others for evok.😃ing 😴🤫🙄😬an intermiss🤗]i😂🤕😪😒=on of :🙄life🤩
😛.@　　To really de%scribe this\🥰 e
ra( 😚%?it would no,😍` 🥰dou😋.😄b=:😉t be.😊😇🤥 necess😇
😍😇😔ary to sho/:🤪😂w ma🙃😒ny o@😁🤪;ther th😑?ings. But wh#🤐at 😌😂would😶😘 be _?t😀🤢he #point　　Bett[=#er t😄.o grasp the tota😛;lity of w@😬=🤮hat😗🤒:🤔 ha😋_s b🤒🤪🤕!een done😶?^ and🙂% what remains t😛;😊o be)🥰%😊 done 😁;😚🤗than to 🤣😅add😶= mo🙄😪😋_🤒re 😋🤣$😴ruins to😴_🙃😔 😌😪!🤔the old w😐orld of🤥 $ 🤣😷the ]spectacle and of memor😇ies.　 😑😀😔　1🤥🥰 @ . 🤮*This fi* 🙂😄l🤫m,😷😗 ?
😝😍which evokes the lettrist expe
😑r😅ienc😅e🤫 s at the orig)i(=😪n of🤩 t😇;h#😜e situat-😍ionist🤔. movem.😴e😑,`nt, open🤑$s with shots-\😉 🤤 of the Paris🙄🤥/ d🤔😀😬🥰istrict frequented by the let🤣🤒🤭🤮😘tri😬 ]sts in the ea😏%rly 1950s. 本页整理高清播放入口、剧情资料、演员阵容、更新时间和相关推荐，方便用户快速了解并继续观看。

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